Bibliography (in english)

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  2. Ingardens Concept of the Construction of the Work of Art on the Grounds of System Analysis, in: „Reports on Philosophy”, nr 16-17, Uniwersytet Jagielloński, Kraków 1997. [pp. 63-69]
  3. Application of Systems Theory in Aesthetics, w „Reports on Philosophy – Reconsidering Aesthetics”, Wilkoszewska (ed.), Uniwersytet Jagielloński, nr 19, Kraków 1999. [pp. 193-209]
  4. Propaganda of the Turn of Centuries, in: „The Great Book o Aesthetics”, The 15th International Congress of Aesthetic, Japan 2001
  5. Ontoelectronics. An Introduction, in: Proceedings of XVII International Aesthetics Congress „Aesthetics Bridging Cultures”, International Association for Aesthetics, Ankara 2007.
  6. From the Image of a Person to Its Electronic Incarnation, in: Proceedings of ISEA 2008, The 14th International Symposium on Electronic Art ISEA 2008, [pp. 359-360]
  7. The Electronically Incarnated Human, in: „Virtual Art / Virtual Domains of Art – Art Inquiry”, Vol. 10, Łódzkie Towarzystwo Naukowe, Łódź 2008. [pp. 187-200]
  8. The Networked Mind Reprogramming the Human Being, in: A. Porczak (ed.), „Interactive media arts”, The Jan Matejko Academy of Fine Arts of Krakow, Kraków 2009. [pp. 57-68]
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  10. The Metaphysics of Electronic Being, in: “CLCWeb: Comparative Literature and Culture”, Purdue University Press, vol. 12. less. 3, West Lafayette, USA 2010.
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  12. The Telematic Art: from the Image of Water lilies to Dipping the Hand into the Electronic Pond’ Realis, in: “CyberEmpathy – Visual and Media Studies Academic Journal, (Cyber Art)”, Institute of Digital Art and Visual Communication, University of Information Technology and Management, Rzeszów, Poland oraz STUDIO 3, Academy of Fine Arts in Krakow, Poland, 9 2014/15.
  13. The Aesthetics of Electronic Worlds, in: Krystyna Wilkoszewska (ed.), Aesthetic in Action, International Yearbook of Aesthetics, International Association for Aesthetics, Volume 18, 2014. [pp. 235-245]
  14. The Cyberaesthetics… And Much More, in: “CyberEmpathy – Visual and Media Studies Academic Journal, (Cyber Art)”, Visual Communication and New Media in Art, Science, Humanities, Design and Technology, ISSUE 10/2015.
  15. Art absorbed by the Web, in: “Art Inquiry – Artistic Turns”, Volume XVII (XXVI), Łódzkie Towarzystwo Naukowe, Łodź 2015. [pp. 115-127]
  16. Las Meninas – Interpretation Narratives Throughout Centuries, in: “Art Inquiry – Recherches sur les arts” (Avant-garde and avant-gardes), Łódzkie Towarzystwo Naukowe, Volume XIX (XXVIII), Łódź 2017. [pp. 73 -87]
  17. Interactive Art in the Culture of Participation, w „Art Inquiry – Recherches sur les arts” (Participation and Art), Łódzkie Towarzystwo Naukowe, Volume XX (XXIX), Łódź 2018 [pp. 203-216]
  18. Creative Robots, in: Nataša Janković, Boško Drobnjak and Marko Nikolić (eds.), “Proceedings of the 21st International Congress of Aesthetics, Possible Worlds of Contemporary Aesthetics: Aesthetics Between History, Geography and Media”, University of Belgrad, Belgrad 2019. [pp. 1145-1149]
  19. Cognitive Values in New Media Art, in: “Art Inquiry – Recherches sur les arts” (Why do we need the concept of art), Łódzkie Towarzystwo Naukowe, Volume XXI (XXX), Łódź 2019. [pp. 99-109]
  20. Generating of a form: streams, variations, and complementations. Computer animation by Marcin Pazera, in: M. A. Raczek-Karcz (ed.), Zanurzenie, naznaczenie, interpolacje, Wydawnictwo Akademii Sztuk Pięknych w Krakowie, Kraków 2019. [pp. 78-83]
  21. The Commonplace of Man in the Times of Anthropomorphic and Intelligent Robots, in: “Art Inquiry – Recherches sur les arts” ( Art Narratives – Narratives on Art ), Łódzkie Towarzystwo Naukowe, Volume XXII (XXXI), Łódź 2020. [pp. 107-120]
  22. Types of Interactivity Versus Performativity, in: “Art Inquiry – Recherches sur les arts” (Art in the world of discourses), Łódzkie Towarzystwo Naukowe, Volume 23, Łódź 2021 [pp. 75-88].
  23. The Academia Electronica – Vision, Experiment, Future, in: “Analiza i Egzystencja”, Instytut Filozofii i Kognitywistyki Uniwersytetu Szczecińskiego, nr 58 (2022), Szczecin 2022. [pp. 111–124]
  24. Sidey Myoo, Adrian Mróz, Concepts and Mechanisms of Negotiation Derived from Experiences in the Electronic Milieu, in: „Dialogue and Universalism”, Instytut Filozofii i Socjologii PAN, Volume 32, Issue 2, Warszawa 2022. [pp. 33-43]
  25. VR ART, in: “Art Inquiry – Recherches sur les arts” (Art: Integration and Dispersion), Łódzkie Towarzystwo Naukowe, Volume 24, Łódź 2022, [pp. 73-85]
  26. Genetic Criterion for Art, in: „Art Inquiry – Recherches sur les arts” (How do artists think?), Łódzkie Towarzystwo Naukowe, Volume 25, Łódź 2023, [pp. 61-72]
  27. Who Owns the Truth? – Review from the Festival of Arts, Science, and Society – Ars Electronica 2023, w “Kultura i Edukacja”, Wydawnictwo Adam Marszałek, 2023 No. 4 (142), s. 171–181